![]() ![]() One figure showing relative viscosity with variations in pressure and temperature is also included.Ĭentipoise, gram/(centimetre second) = poise, kilogram/metre second =newton second/square metre = pascal second, pound/(foot hour) , pound/(foot second), reyn The figures and tables below shows how water viscosity changes with temperature (☌ and ☏) at water saturation pressure (which for practicle use, gives the same result as atmospheric pressure at temperatures < 100 ☌ (212☏)). See also dynamic and kinematic viscosity of air, ammonia, benzene, butane, carbon dioxide, ethane, ethanol, ethylene, methane, methanol, nitrogen, oxygen and propane. See also other properties of Water at varying temperature and pressure: Boiling points at high pressure, Boiling points at vacuum pressure, Density and specific weight, Enthalpy and entropy, Heat of vaporization, Ionization Constant, pK w, of normal and heavy water, Melting points at high pressure, Prandtl number, Properties at Gas-Liquid Equilibrium Conditions, Saturation pressure, Specific gravity, Specific heat (heat capacity), Specific volume, Thermal conductivity, Thermal diffusivity and Vapour pressure at gas-liquid equilibrium. See Water and Heavy Water - thermodynamic properties. Temperature Choose the actual unit of temperature: Note! Temperature must be within the ranges 0-370 ☌, 32-700 ☏, 273-645 K and 492-1160 °R to get valid values. While the kinematic viscosity is given as cSt, m 2/s, and ft 2/s ![]() ![]() The output dynamic viscosity is given as cP, mPa*s, Pa*s, N*s/m 2,lb f*s/ft 2 and lb m/(ft*h), The calculator below can be used to calculate the liquid water dynamic or kinematic viscosity at given temperatures. Absolute or dynamic viscosity is used to calculate Reynold's Number to determine if a fluid flow is laminar, transient or turbulent. The viscosity of a fluid is a measure of its resistance to gradual deformation by shear stress or tensile stress.įor further definitions, go to Absolute (dynamic) and kinematic viscosity. ![]()
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![]() The Fanboy Expo is for all fans of comics, film, cosplay, art, and other entertainment genres. So, if you are interested in any of them, make sure you attend the show. It covers entertainment genres like comic books, science fiction, cosplay, art, film, television, and wrestling. The Fanboy Expo caters to a diverse range of fans, geeks, and nerds. So, make sure you grab your fanboy expo tickets on the show’s website and get ready for a weekend of hobnobbing with the stars. The November show in Indianapolis is set to be even bigger and better. The last big show was Fanboy Expo Orlando, held in Orlando, FL, from September 2 to 4, 2022, and the Orlando Expo Fanboy saw Billy Dee Williams, Dan Fogler, Sam Witwer, and other big names as celebrity guests. Today, it draws crowds of tens of thousands from all over the country and the world. Over the years, the show has grown tremendously. He wanted to create a platform where pop culture fans could hang out in a relaxed setting and interact with their favorite idols from the worlds of comics, film, television, wrestling, cosplay, and more. ![]() ![]() However, when this Knoxville show stopped running, he partnered with the promoter of that show to launch his own pop culture convention.ĭavid founded the Fanboy Expo primarily to create smaller, more intimate convention experiences. David was originally a sports and celebrity autograph collector who became an autograph dealer.īut when sports companies in the 1990s started heavily monetizing the industry, he started setting up his booths at a comic and science fiction expo called Adventure Con in Knoxville, Tennessee. Retail Displays & Corporate Environmentsĭavid Heynen, a producer at Media Investments Global LLC, started the Fanboy Expo in 2012.Xclaim Fabric Table Top Pop Up Displays. ![]() ![]() Place that DSDT.aml in ACPI Folder and also add it in ist (You can use OpenCore Configurator to do that)ĥ.
![]() "Although she had gone through a lot when growing up, the tough heroine believed in the bright side of humanity and tried to help others bravely and kind-heartedly," Bi says. Based on her professional knowledge and practice, she created a situation where a poor, smart young woman from the countryside named He Dun became a psychologist and helped not only her visitors but also herself. After studying in Beijing Normal University for three years, she started receiving visitors. The 40-episode TV drama, starring actress Yang Zi and actor Jing Boran, is adapted from Chinese writer Bi Shumin's novel of the same title that was first published in 2007.īi, 69, had been a doctor for 20 years before studying psychology in 1998. In October 2016, the government launched the Outline of Healthy China 2030 Plan, in which mental health was included for the first time as one of the healthy standards, he says. The topic is very attractive to me also because psychological counseling is an emerging treatment in China," he says. "There are other TV plays that include this topic but very few focus on it specifically. This is arguably the first TV drama in China that focuses on the topic of psychological counseling, claims Guo Feng, the show's producer. These include school-bullying, divorced parents who don't tell their children in high school about the divorce worrying it will impact their performance at the college entrance examination, a weakness for always trying to please others and postpartum depression. In total, the TV series presents 10 counseling cases that represent the problems people often face. ![]() As she helps more people, she gets to understand better her own psychological problems. The show features a 30-year-old female psychologist He Dun, who aspires to help more people to solve their psychological problems. Taking on a string of challenging roles next in dramas such as Ode to Joy, Ashes of Love and Noble Aspirations, the 29-year-old held her own and was recognized for her solid acting and versatility.Yang Zi portrays psychologist, He Dun, in a TV series that zooms in on people's mental well-being.Ī new TV series, based on a book, highlights professional psychological counseling, Yang Yang and Xu Lin report.Ī new TV show Nyu Xinlishi (The Psychologist) touches upon psychological counseling, as people are paying increasing attention to mental health during the rapid social transformation. ![]() One of the four post-90 ‘hua dan’ actresses to watch out for, Yang Zi began her career as a child actress, and left a deep impression on viewers with her role Xiao Xue in Home with Kids, a made-for-families series which performed unexpectedly well and lasted four seasons. While Psychologist got only a mixed reception from viewers and did not score a high rating on Douban after the first few episodes, Yang Zi was cool about it and shared her thoughts, “The meaning is not in how it turned out, still enjoyed this whole process, and hope that after more will be concerned about issues related to psychological health after the drama airs,” Impressed by her professionalism, netizens remarked that even watching the scene was painful, and some were so affected by the sense of suffocation that they felt as though they were the ones being strangled. When the cameras finally stopped rolling, Jing Boran gentlemanly accompanied Yang Zi to the side for a break. After a short rest, the strangling scene was again repeated twice. When everyone rushed forward quickly, the actress hurriedly replied that she was alright and “just had low blood sugar”. Yang Zi’s character struggled for a full ten seconds before male lead Jing Boran (井柏然) came to her rescue.Īfter the scene ended on the director’s “cut”, Yang Zi’s legs appeared to give away as she slid to the ground and took a while to recover herself, looking pale. He shook her violently, and later pushed her against the wall, never letting go of his grip. In the video, Yang Zi, who was dressed in an orange blazer, was suddenly approached by an agitated man who rushed up and seized her neck. ![]() On December 3, the production crew of Psychologist shared a video showing a scene of lead actress Yang Zi (楊紫) being strangled by her male co-star on set, earning netizens’ compliments for her professionalism and dedication to her craft. ![]() ![]() ![]() While enlisted, May would lead a rifle squadron of 12 men. He was assigned to the 77th Infantry Division which would spend its time deployed in the Southern Philippines. In 1942, at the age of 20, Clyde would enlist in the US Army to serve with his fellow Americans during World War II. May was born to a single mother and spent much of his pre-teen years surviving the Great Depression–a time that most certainly wasn’t easy to navigate as a young boy in Alabama. “Distilled in Indiana | Bottled by Conecuh Ridge Distillery, Auburndale, FL | Product of USA”Ĭlyde May was born in 1922 (or 1925 according to some accounts) near the Conecuh River in Bullock County, Alabama. Straightforward, porch-sitting, rocking chair bourbon - and this time, it’s perfectly legal.” Like Clyde’s own moonshine, it’s a whiskey with integrity. We use simple ingredients and a patient aging process to produce a fine, easy-drinking spirit. “This straight bourbon honors Clyde’s dedication to the craft. The man was locked up for his passion - eight months in the federal penitentiary - yet he started up those copper stills the day he got out.” He made his famous whiskey in hand-built copper stills, with fresh Alabama spring water and the finest local ingredients. “Clyde May was a moonshiner by trade but a craftsman by heart. “Honoring the historic distillation process made famous by Clyde May – The Clyde 240” “Conecuh Ridge Distillery, USA | Since 1946” Purchase Price: $38.47 from the NC ABC Stores – May 2021 750 ml Spotty tear drops form and quickly descend down into the pool of bourbon below. A very thin and transparent viscous line appears on the glass. Website indicates aged 4 to 5 years.Ĭolor & Viscosity: The appearance of this whiskey in the glass is light and thin. Mash Bill: Undisclosed Sourced from Indiana.Īge Statement: No Age Statement. Location: Distilled in Indiana Bottled in Auburndale, Florida ![]() DSR – OTH – 002: Clyde May’s Straight Bourbon WhiskeyĬompany/Distillery: Conecuh Ridge Distillery ![]() ![]() This theme mimics a rhythmic heartbeat throughout, even as the music grows to an exciting swell, before finally dying down to two quiet beats. Matt Murdock, the blind vigilante with heightened senses, experiences life through enhanced hearing and touch, and can feel the presence of others through the vibrations of their heart. The pulsing beat of this theme drives through the entire intro, allowing us a glimpse not only into the show’s dark and grounded nature, but also providing us with Daredevil’s own perspective. If “you’ve got time”, give this theme a listen! ![]() Regina Spektor wrote this song after thinking long and hard about what it would be like to live in prison, but she still manages to make the piece fun while hinting at the struggles these inmates will face. Alluding to animals trapped in cages, the song works as an obvious metaphor, but also hints at the show’s themes of redemption. This intro song just “lets you in”.Ĭomposed by Regina Spektor specifically for the show, “You’ve Got Time” is an excellent theme for this comedy/drama about a female prison. Beyond foreshadowing and highlighting key themes of the show, the song also stands well on its own it’s relaxing and gentle, easing viewers into the drama that is Bloodline, where other shows might try to entice with more flair and excitement. While the music is serene and accompanied by beautiful shots of the ocean and the Florida Keys, the lyrics hint at something much deeper. Titled “The Water Lets You In”, this unsettling song at the beginning of the show is calming and folksy, but has clear dark undertones. This intro theme may come late to us in the first episode, but it’s certainly worth the wait. ![]() The song is beautiful, inspiring, and mysterious, not unlike the OA itself. Soaring and majestic, this violin-heavy theme serves to accompany the show’s more mystical moments, and is also occasionally used throughout the show as Prairie Johnson plays the theme herself. While the OA doesn’t have conventional opening credits with a song at the beginning of each episode, we feel that this piece serves as the show’s main theme. And we’re so glad they did! This jazzy tune is addictive and filled with so much character that we couldn’t imagine BoJack Horseman without it. \When the show creators approached Patrick about doing the intro for their new show, he sent back the test track which they ended up using. Composed by Patrick Carney, the drummer for the Black Keys, and his uncle, the song was originally meant to be a simple test for new equipment that the two had bought. Much like the show itself, this theme came by almost by accident and without any real meaning. This unique intro song is clever and catchy, but that doesn’t explain why you wouldn’t just look away and go do anything else. The best part about this intro is that there are different lyrics for every two episodes which change depending on what’s happening in the plot, and Count Olaf will narrate based on which character he’s playing. Broadway and TV star Neil Patrick Harris sings the theme song for this unfortunate Netflix Original as the villainous Count Olaf. We’re not sure why a decent person like yourself would even want to listen to this intro song. #10: “A Series of Unfortunate Events” (2017-19) We’re excluding pre-existing songs that weren’t written specifically for the shows. ![]() Welcome to WatchMojo, and today we’re counting down our picks for the Top 10 Netflix Show Musical Themes.įor this list, we’re looking at the best intro theme songs for Netflix Original shows. When these tracks start playing, you won’t want to Skip the Intro. ![]() ![]() Those craving a taste of the East can pay a visit to Hanok or Makatcha. This stall is a must-visit for all chocoholics with flavours like peanut butter, triple chocolate, and bacon & maple syrup to name just a few.įor truffle lovers, Truffle offers truffle burgers, truffle chips, pigs in blankets with truffle gravy, and meat-free alternatives for vegetarians. You can experience the best truffle-based food in the park and enjoy the ever-changing menu focused on one of the most highly regarded ingredients in the world. For those with a sweet tooth, there is no better place to head to than Bad Brownie, home to wondrously delicious chocolate brownies with vegan and gluten-free options too. Serving cocktails with a Christmas twist and beers from around the world.įor those with an adventurous palate, the Street Food Festival area has a fantastic range of culinary vendors to excite the taste buds. Three giant tipis decked out with cosy furs and open fire pits, complete with Thor’s very own Viking shields, provide an authentic atmosphere. The Scandinavian Christmas in THOR’S tipi bar is back to Hyde Park Winter Wonderland. With crackling fires to toast marshmallows around The Fire Pit is the perfect place to warm up with family and friends with a special winter warmer cocktail, food stalls and live bands on The Fire Pit stage. This is an unmissable mountain hideaway, perfect for corporate groups or friends and family. ![]() You can sing in style and indulge in stone-baked pizzas and custom drinks. The unique, rustic après ski experience within a mini alpine-style village has its very own bar and restaurant. The Bar Hütte Karaoke booths will return with pop classics and festive favourite singalongs. ![]() With a complimentary cocktail provided with each ticket and a cloak to keep out the -10C cold, it the perfect spot to chill. While the Almhütte offers a cosy sit-down space with traditional Bavarian fare and oompah music.Įscape to the Alps at Bar Ice and be transported to the coolest destination around. You are invited to step inside a beautifully crafted après ski bar, where the bar, tables, chairs and even the glasses are made of ice. The famous Bavarian Village at the Great Hall returns with everyone’s favourite line-up of beer, Bratwürst, live music, DJs and an Oktoberfest ambience, perfect for groups who want to enjoy the lively party atmosphere. Home to an extensive offering of wintery bars and gourmet street food, including a wealth of bratwurst vendors, traditional German fare, festive treats such as churros, pretzels and crepes, and mulled wine, Hyde Park Winter Wonderland has something for every palate this Christmas.ĪND MANY MORE AT THE STREET FOOD FESTIVAL Hyde Park Winter Wonderland boasts a huge selection of street food, cafés, bars and the new pop-up restaurant Cedar & Spruce Bar + Kitchen by chef Ani Arora where you can enjoy a full menu of British favourites with an international twist. ![]() We went to check out the foodie site of this festive extravaganza to share with you. Hyde Park Winter Wonderland is one of London's most popular Christmas attractions, which gets bigger and better every year. ![]() ![]() ![]() ![]() It was developed for statistical purposes and not as a surgical risk predictor. Its simplicity represents its greatest strength as well as a limitation in a world of comprehensive multisystem tools. Incorporating multimorbidity into the ASA classification might be warranted to improve its predictive ability and support adequate reimbursement. The American Society of Anesthesiologists (ASA) Physical Status classification system celebrates its 80th anniversary in 2021. Multimorbidity in perioperative patients is highly prevalent and has a relevant impact on hospital costs, independent of the ASA class. ASA Sailing Courses ASA 101, Basic Keelboat Sailing ASA 103, Basic Coastal Cruising ASA 104, Bareboat Chartering ASA 105, Coastal Navigation ASA 106. The number of anaesthesia-relevant comorbidities also increased postoperative complications and postoperative length of hospital stay. Independent of ASA class, each additional comorbidity increased hospital costs by EUR 1,198 (95% CI 288-2108) with almost identical proportions of direct and indirect effects. The median number of comorbidities per patient was 5 (range 0-18), this number significantly increasing with higher ASA class: 1 comorbidity (95% CI 0.0-2.0) in ASA I, 4 comorbidities (3.8-4.2) in ASA II, 9 (8.1-9.9) in ASA III and 12 (10-14) in ASA IV patients. Using structural equation models, the direct and indirect effects of comorbidities on costs were estimated after adjustment for the ASA class and further relevant confounders and mediators. The primary endpoint was the number of all anaesthesia-relevant comorbidities by ASA class. In addition, the type and severity of all perioperatively relevant comorbidities were extracted from the electronic medical record according to a predefined list. Approximately 30 patients per surgical discipline undergoing any type of in-hospital surgery were followed up until hospital discharge to record all intra- and postoperative adverse events. This cohort study is nested in the ClassIntra® validation study and includes only patients enrolled at the University Hospital of Basel. This study aimed to assess the number and type of all anaesthesia-relevant comorbidities and to analyse their impact on outcome and hospital costs. The American Society of Anesthesiologists (ASA) classification uses only the single most severe systemic disease to define the ASA class and ignores multimorbidity. Data on both the prevalence of multimorbidity and its impact on perioperative outcome are limited. Multimorbidity is a growing global health problem, resulting in an increased perioperative risk for surgical patients. ![]() ![]() ![]() It’s also something artists themselves are clamoring for, as a way of rebalancing the debate away from a fetish for the token itself. This is important because it acknowledges the existence of different skillsets and levels of technical facility among the community of crypto artists, whose talents have been honed well away from traditional art institutions. The search for an aesthetics of crypto art therefore requires investigating the standards by which crypto artists, as well as collectors, currently distinguish works of NFT Art as more than simply digital artifacts that have been tokenized. Ultimately, what is at stake in the debate over aesthetics is not simply the question of “what makes good crypto art?” But “what is crypto art?” Since without a frame of reference on which all parties agree, those who control the market will invariably determine what constitutes crypto art itself, and therefore who gets excluded. When that craft also reflects a multitude of digital approaches it makes the question of aesthetics even more problematic, if no less intriguing. That one of the hallmarks of NFTs so far has been a kind of beguiling slickness may be one reason why the craft has gone largely unmentioned up till now. We have sought to start a conversation about aesthetics in a way which acknowledges the concept’s historical freight, while prompting us toward greater awareness of the creative toil behind crypto art. However, it offers an opportunity to ground the question of aesthetics in data, rather than the kind of lofty rhetoric often used to drive up prices artificially. Given the market’s exponential growth, as well as the urgency of debate surrounding crypto art’s environmental cost, this is perhaps unsurprising. One motivation for this study is that the issue of aesthetics has so far been overlooked in the mainstream commentary about NFTs. This text therefore seeks to disentangle the making of art from the manufacture of markets. We question whether such collectibles, despite being marketed separately from the vast majority of NFT Art, aren’t in fact its purest incarnation. In practice, the storage limitations of the blockchain dictate whether or not the work itself is stored “on chain”, as in the case of Autoglyphs, or “off chain”, as with CryptoPunks. It therefore accepts that, while an aesthetics of crypto art should prove useful, its associated privileging of artistic originality is no longer adequate when evaluating art today. At the same time, ‘crypto art’ is broad enough to encompass a variety of approaches, such as Plantoids, that seek to explore the blockchain as a wider ecosystem. ![]() It is also to remove the sense that the primary object of interest in NFT Art is the NFT itself, rather than the creative process. We use the term ‘crypto art’ therefore to alleviate this problem by accepting the possibility that all creative works issued with NFTs might be considered NFT Art. To then introduce a separate field of NFT Art into which only some works qualify automatically implies hierarchy and structural unfairness. Whether such segregation is appropriate in this instance, however, is highly contentious, given the democratic principle by which, in theory (and on Rarible), any digital artist can tokenize their creativity as an NFT. Given the increasing tokenization of collectibles, there is already some agreement that NFT Art stands apart and that its value depends on more than mere scarcity, in much the same way that traditional fine art was separated from decorative arts for centuries. However, clearly not all digital (nor indeed physical) artifacts tied to NFTs constitute NFT Art. This text considers the terms ‘crypto art’ and ‘NFT Art’ to be interchangeable. ![]() However, the data may also be of interest to traditional fine artists, who may be looking to migrate to an artistic arena less dependent on intermediaries than the contemporary art scene, and who might bring with them certain conceptual tools which could prove valuable to crypto art’s long-term future. Our premise has been that it stands to benefit crypto artists to be aware of their community’s aesthetic and thematic priorities. We have sought to identify, based on available data, what NFTs (non-fungible tokens) are actually contributing to visual culture beyond simply fuel for financial speculation and environmental extraction. The average color palette of NFTs tends toward purple, reinforcing an aesthetics rooted in technostalgia ![]() In general, number of views highly correlates with price: the hype machine is realĪs in the traditional art world, NFTs tagged with “drawing” tend to sell for less “3d” art is the most viewed with higher selling points, perhaps reflecting a ‘medium’ specific to crypto art This is what we found.įuturistic, retro and sci-fi themes are frequently explored and highly coveted by collectors We studied the historical data on works of NFT Art across the SuperRare marketplace*. ![]() ![]() Stupidly, an in-dash CD player is not available. On the upside, all three-doors come standard with automatic climate control and a stability-control system. With an as-tested sticker price of $27,860 with only two options-17-inch wheels for $750 and leather seats at $1440-this runabout hatchback is priced like a premium car, a couple grand more than a well-equipped Acura RSX Type-S. But the three-door-well, the three-door has no competitors in the premium-hatchback segment That vehicle should be competitive with the Acura TSX, Saab 9-3, and Audi A4. Mercedes does offer this new 1.8-liter in a version of the C-class sedan, meaning, you know, with a trunk. Maybe if the company had called it a C230 hatchback, we wouldn't keep expecting it to drive like a "sports coupe." Its shifter hasn't improved it's still plasticky and slow to engage anew gear. This is, indeed, a good thing if you're in the market for a comforting companion on long commutes. So zealous was Mercedes in exorcizing the flatulence of the old motor that this new one makes almost no noise at all. The 1.8-liter, which will be the base engine of an all-new SLK beginning next summer, is smooth and linear in operation, with no apparent hills or valleys in the surprisingly robust torque curve. Worse, it sounded as if it had an acute and chronic case of gastrointestinal distress. Higher in the rev range, the 2.3 was rough. The previous engine felt weak at low revs, despite its power advantage and greater displacement. On the other hand, the new motor allows the hatch to go another four or five miles on each gallon of gas, depending on whether you get the six-speed manual or the $1325 optional five-speed automatic.Įven better, with this engine the C230 is, if not exactly transformed, at least a more pleasant thing to use. This is not something most owners-the majority of whom we don't anticipate will go bracket drag racing-need worry about. Try as you might, the engine will not rev above 4000 rpm with the clutch pedal in. We attribute this, in part, to an engine-management system that will not allow for abusive standing starts. Indeed, the sprint to 60 mph for the 1.8-liter 2003 model is an unremarkable 8.1 seconds-more than a half-second slower than the 2002 model. The new 1.8-liter engine makes 189 horsepower at 5800 rpm and 192 pound-feet at 3500 rpm. ![]() The old 2.3-liter-still the base engine in the SLK hardtop roadster for 2003-makes 192 horsepower at 5500 rpm and 200 pound-feet of torque at 2500 rpm. It's down about a half-liter of displacement compared with the old engine, and it makes less peak horsepower and torque. On paper, this engine would seem to be a step backward for Mercedes. For the 2003 model of the C230, Mercedes has largely addressed our engine complaint with an all-new 1.8-liter, all-aluminum supercharged four-cylinder. ![]() |
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